âThe Power of the Dogâ: Watch How Jane Campion and Her Editor Shaped Peter and Philâs Relationship
Toolkit: Campion and editor Peter Sciberras on the challenge of balancing mystery, mounting sexual energy, and a growing sense of danger.
Toolkit: Campion and editor Peter Sciberras on the challenge of balancing mystery, mounting sexual energy, and a growing sense of danger.
Jenkins and cinematographer James Laxton talk about their transition to television, and why shooting all 10 episodes was necessary.
Watch how Victor Kossakovsky constructed a camera-friendly barn, used a disco ball for light, and stayed true to the detailed language of pigs.
Watch how the Ross Brothers practiced their direct cinema craft.
Director Benjamin Ree and subject Barbora Kysilkova (âthe Painterâ) dive into their unique cinematic process on the latest episode of the Filmmaker Toolkit podcast.
âThe starting point of the movie was knowing failure was inevitable,â Johnson told IndieWire during her appearance on the Filmmaker Toolkit podcast.
The nonfiction filmmaker brings us inside her craft and process in creating a lyrical film about family, love, and incarceration.
Also, director Mark Mylod, Jeremy Strong, editor Bill Henry, and DP Patrick Capone break down the âYou Have to Be a Killerâ scene.
Production designer Stephen Carter and director Mark Mylod illustrate how they made life aboard the Royâs $150 million yacht miserable.
Jesse Armstrong and Mark Mylod break down the dance between the camera operatorsâ improv and the musicality of Bill Henryâs editing.
How sound, camera, and a last-minute 1940s-style ballad by Trent Reznor and Atticus Ross captured the lynching that changed Will Reeves.
Williams, Damon Lindelof, and DP Gregory Middleton go behind the scenes of how they captured the feel of a memory.