How âTop Gunâ and âDownton Abbeyâ Make the Case for Moviegoing
With Cannes around the corner, questions around what it takes to get people into the theatrical experience are louder than ever.
With Cannes around the corner, questions around what it takes to get people into the theatrical experience are louder than ever.
There is much more than the MCU to celebrate this week â if only you know where to look.
While CinemaCon showed studios projecting confidence in theatrical tentpoles, it remains unclear what the streaming giant will do next.
From âEverything Everywhereâ to âThe Northman,â original movies are fighting for the survival of the big-screen experience.
Whether itâs Cannes or upfronts, industry insiders are facing a brave new world defined by the streaming market.
Sorry, Jimmy Kimmel, but there was a lot more to celebrate among this yearâs finalists.
Will Nicole Kidman or Alana Haim be able to break into the jam-packed Best Actress race?
While there are many movies still to come this fall, the Oscar race for the biggest category has settled (for now) around a few key contenders.
From âBelfastâ to âThe Power of the Dogâ and âKing Richard,â Best Picture contenders are leaving a mark on the festival circuit. So whatâs left?
As Nolan jumps from Warner Bros. to Universal, itâs worth considering how few filmmakers can attract this level of support.
Yes, this weekâs Telluride and TIFF updates are accelerating awards season, but at what cost?
Some audiences arenât thrilled that Telluride and NYFF wonât have virtual programming, but whoâs behind those decisions?