Julia Ducournauās erotic psychological thriller āTitaneā won the Palme dāOr, while David Cronenbergās 1996 sex-fueled āCrashā was awarded a Special Jury prize amid controversy.
āThank you for capturing female anguish and rageā¦ on film,ā Stone tells Ducournau, whom she handed the Palme dāOr to back in July.
āFree Guyā spent its fourth week at #1 across all charts. āTitaneā and āBergman Islandā moved to VOD after brief theatrical exclusivity.
With several updates surrounding Oscar submissions for the Best International Film category, the season just got a little more complicated.
In a three-way contest, the French committee picked Julia Ducournauās polarizing Cannes Palme dāOr winner to contend for Best International Feature Film.
The āVenomā sequel and āAddams Family 2ā did better than expected, while āThe Many Saints of Newarkā and āTitaneā underperformed.
Julia Ducournauās provocative āRawā follow-up uses the iconography of transition in blind service of its faux-feminist fable.
Composer Jim Williams previews the ādark, emotionalā score to āTitane,ā exclusively on IndieWire.
A tomboyās body becomes home to a startling metamorphosis in this first film from the āTitaneā and āRawā director.
In the end, many Cannes winners donāt register stateside, unless they break through at the box office, as āParasiteā did.
The filmmaker explained her investment in exploring gender fluidity and how sheās evaluating the next phase of her career.
Lee accidentally named āTitaneā as the winner of the Palme dāOr at the top of the ceremony, taking some of the suspense out of the night.