Ukraine has been present at this yearâs festival in ways that should inspire the global film industry â for business and humanitarian reasons alike.
Should it always take a year for festival highlights to reach more audiences? The recent comedy festival suggests an alternative solution.
As The Weeknd boots Amy Seimetz from his HBO show, should good filmmakers be wary of TV? The answer requires a careful risk-benefit analysis, and a business model.
With its renewed focus on âright-sized budgets,â Netflix could tighten its belt and help the film community all at once.
Among the 47 films announced for Cannes this year, only four are American. Filmmakers could address this disconnect by going global.
Jim Carrey says heâs done with acting after âSonic 2,â but are name actors getting the right material sent their way?
Disneyâs Onyx Collective and WarnerMedia OneFifty helped small movies win big. Thatâs exciting news for the independent sector.
While the Coen brothers are no longer a pair, directing duos are on the rise. But so are complications and controversy.
With controversial developments around new bosses at Cannes and Directorsâ Fortnight, the festival faces major questions about its next chapter.
SXSW: Even Mark Duplass admits that ânobody really cares about the film stuffâ â but microbudget filmmakers are still finding solutions.
The last three Ukrainian Oscar submissions barely received U.S. distribution, but they made their countryâs circumstances clearer than any CNN report.
Peele has made original movies on studio dime ever since his debut. Why donât studios do this more often?