The Costumes on âGhostsâ Are Meant to Last an Eternity
Heather Pain tells IndieWire about finding distinctive looks for a centuries-spanning ensemble who wonât ever change clothes.
Jim Hemphill
âOuter Rangeâ: Unearthing the Soundscape of the Paranormal Frontier
Watch how the composers and sound team gave the sci-fi Western sonic signatures that honor its influences without being beholden to them.
How Editing Makes the Case for âThe Girl from Plainvilleâ
âMy job is to find the moments that convey where everyone is at emotionally, and to figure out the puzzle of who to check in with and when,â editor Libby Cuenin told IndieWire.
How âThe Northmanâ Shot One of the Most Immersive Battle Sequences in Film History
âYou plan it out on a map with little soldier figurines, and work it out like a puzzle, one kill and one layer at a time,â cinematographer Jarin Blaschke told IndieWire.
Less Marvel, More âGhostbustersâ: Behind the Handmade Visual Effects of âEverything Everywhere All at Onceâ
The team that crafted the wonders of Danielsâ multiverse tells IndieWire about their unique collaboration.
The âWeCrashedâ Sets Were So Inviting, Nobody Wanted to Leave
Production designer Amy Williams and showrunner Lee Eisenberg told IndieWire that the showâs versions of WeWork spaces became real-life hangout spots
âThe Godfatherâ 50th Anniversary: Why Gordon Willis Changed Cinematography Forever
17 directors of photography spoke with IndieWire about the continuing resonance of Gordon Willisâ shadowy, practically lit cinematography
David Lynch on Restoring âInland Empireâ and Laura Dernâs Oscar Snub
âIf youâre careful, you can bring out things you never saw that make it that much more beautiful,â Lynch told IndieWire about the technologies heâs using to refresh his filmography.
How âEuphoriaâ and Taylor Swift Are Reviving Spike Leeâs Favorite Film Stock
Lee, âEuphoriaâ cinematographer Marcel RĂ©v, and other filmmakers spoke to IndieWire about Ektachromeâs comeback.
âComing 2 Americaâ Honored the Originalâs Makeup and Hairstyling but Found Its Own Identity
âI was very proud to be able to honor [original film hairstylist Robert Stevensonâs] vision and to create new images for this one,â hair department co-head Carla Farmer said.
Seeing Into the Darkness: âThe Batmanâ Cinematography Is Subtle, Masterful Work by Oscar Nominee Greig Fraser
Matt Reeves and Fraser discuss reuniting on their first collaboration since âLet Me In,â and their distinctly dingy, rain-slick, noir take on Gotham.
âEuphoriaâ Season 2 Cinematographer Marcell RĂ©v Tells Us What Itâs Like to Shoot from the Gut
Season 1 was shot to be in-the-moment and contemporary, but RĂ©v and Sam Levinson wanted Season 2 of âEuphoriaâ to feel more like remembered images.
Newswire
âThe Bad Guysâ Holds China Box Office Lead in Further COVID-Hit Weekend
John Oliver Explains Why Your Electric Bill Is So Damn High
Longtime Independent Film Company MD Andrew Orr Joins Sky
Mary J. Blige Receives Icon Award From Janet Jackson at 2022 BBMAs â Watch
Braves Join Fortnite Backers for Metaverse Field of Dreams, and Dollars